Untitled

Untitled

Joseph Glasco

1949

ink

From the collection of Museum of Modern Art

About this work

This sketch is all loose, wavy lines on light paper. You can barely tell it’s two figures—one standing, one sitting—because the ink strokes overlap everywhere. The lines are quick, like the artist drew fast or didn’t want to erase. The drawing feels more like a study than a finished piece. The ink builds up in some spots, making it look darker, while other parts stay light and sketchy. If you like this style, check out cross-hatching next—it’s a technique that uses layered lines to create shadows.

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