Untitled
1966
ink
From the collection of Museum of Modern Art
1966
ink
From the collection of Museum of Modern Art
This painting shows a mix of rough, dark shapes and bright, uneven strokes. The colors are mostly muted grays and browns, but there’s a bold red line cutting across the middle. The edges feel messy, like the paint was slapped on or scratched into the surface. The artist used a printing method that lets ink sit on a smooth stone before pressing it onto paper—this makes the lines look both sharp and slightly fuzzy. The red line stands out because it’s the only clean, straight mark in a sea of chaotic marks. Next, check out how lithography works to see why this technique creates such a distinct look.