Untitled

Untitled

Philip Guston

1947

ink

From the collection of Museum of Modern Art

About this work

This painting looks like a sketch with lots of quick, wavy lines and dark ink. The shapes are loose—some look like people or figures, but they’re hard to tell. The background is mostly blank paper, with a few scattered marks and a faint outline of what might be a building or a wall. The ink is thick in some spots, thin in others, giving it a scratchy, uneven feel. The artist signed it "Guston '47" in the corner, which tells us it’s from 1947. The lines overlap in places, almost like scribbles, but they still create a sense of movement and space. If you like this style, look up cross-hatching next to see how artists build up dark areas with layered lines.

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