Untitled

About this work

This painting is all black ink on a white background. You see thick, messy shapes—some look like people, others like furniture or trees. The lines are uneven, almost like scribbles, but they still feel intentional. Shadows and forms blend together, making it hard to tell where one thing ends and another begins. The artist used a technique where ink is pressed onto a stone or metal plate, then transferred to paper. That’s why the lines feel both rough and precise at the same time. Try looking up lithography to see how this process works.