Untitled

About this work

This is a black-and-white digital print with jagged red lines slashed across it. The lines look like cuts or cracks, and the whole image feels rough and uneven. Abramović often uses her own body in performances about pain and endurance. Here, the red lines might be a quiet echo of that—less about blood, more about the marks life leaves. The print is one of seven pieces in a portfolio, so it’s part of a bigger conversation. If you want to see more work that plays with raw, physical marks, look up *impasto*.