Untitled

Untitled

Minna Citron

1948

ink

From the collection of Museum of Modern Art

About this work

This painting shows a mix of thick black lines and swirling shapes on a light blue-green background. The lines crisscross and loop, creating a sense of movement and energy. Some areas look like they could be faces or figures, but it’s not clear—it’s more about the shapes than the details. The artist used a printing method that lets ink sit in carved grooves, which is why the lines feel so sharp and the shading looks textured. This was done by hand, with careful pressure to make some marks darker than others. If you like this style, look up etching to see how artists carve into metal plates to make prints.

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