Untitled

Untitled

Thomas George

1966

ink

From the collection of Museum of Modern Art

About this work

This painting is all black ink on white paper. The lines are thick and tangled, like a storm of scribbles filling the whole space. There’s no clear shape or background—just a messy, swirling mass of marks. The artist used ink to create a dense, chaotic pattern. It looks like they let the pen move freely, without planning each stroke. Next, check out cross-hatching to see how artists build texture with lines.

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