Ivan Semenovitš Kulikov

Ivan Kulikov kept a small brush in his coat pocket for quick sketches of faces he spotted on the street, waiters, soldiers, anyone with a story to tell. He spent years painting official portraits, but his real obsession was the way light hit metal: the curve of a spoon, the glint of a helmet. Look up his Kenraali Gonjetskin (1903) to see how he turned a stiff uniform into something alive, like sunlight on wet paint.