Untitled
Contemporary sheet music

About this work

You see a tangle of sharp, mechanical shapes drawn in pencil—gears, hooks, and jagged edges pressed together like a broken machine. Fernández made this in 1967, right after leaving Cuba for New York. The drawing feels like a secret code, as if the parts could snap into something familiar but never quite do. The lines are so precise they look almost printed, not hand-drawn. If you like how Fernández turns simple pencil into something strange, try looking up cross-hatching.

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