Untitled

About this work

You see a tangle of thick black lines and smudges on a pale, uneven background. Some shapes look like shoes, others like hoods or bricks, but nothing is clear. Guston painted this the year he died. He’d spent decades making soft, blurry abstracts, then suddenly switched to bold, cartoonish figures. This piece feels like a sketchbook page—raw and unfinished. The ink bleeds into the acrylic, making the lines look urgent, almost messy. To see more of this late shift, look up Philip Guston.