The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
1560
unspecified
From the collection of Cleveland Museum of Art
1560
unspecified
From the collection of Cleveland Museum of Art
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night is a 1560 unspecified by Unknown, a Mughal Painting work, held at Cleveland Museum of Art.
You see two stacked scenes: a man in a red robe listening to servants whisper, and below, a woman pulling out her hair while birds watch. The painting comes from a book of parrot tales told to Emperor Akbar. The parrot here is the real storyteller—it spies on the wife, reports her affair, and later makes sure she’s forgiven. The tiny birds in the lower scene act like a Greek chorus, judging her every move. Look up Mughal India, court of Akbar (reigned 1556–1605) to see more of these vivid, storybook pages.
In the upper register the merchant is surrounded by gossiping members of his household. Below, birds surround his unfaithful wife. The merchant’s parrot, whom the wife tried to kill, perches on the edge of a tomb to observe her act of penance. Once her penance is complete, the parrot reunites the couple, and the wife is welcomed home.
The birds in the garden have gathered in in sympathy with the parrot’s plight.
Read the full account in the museum source.