The Trial of Joan of Arc (Joan of Arc series: VI) by Boutet de Monvel, Louis Maurice

Boutet de Monvel, Louis Maurice · c. late 1909-early 1910

In Louis Maurice Boutet de Monvel's 'The Trial of Joan of Arc' (c. 1909), currently held at the [Museum Name, if known], we see the Maid of Orléans standing defiantly before her ecclesiastical tribunal. This striking oil and gold leaf on canvas is part of a larger series dedicated to her life, capturing a pivotal and solemn moment.

Look closely at the figures around Joan, from the diligent scribe documenting the proceedings to the judges deep in thought. The artist's use of gold leaf, particularly visible in the bishop's attire, elevates the historical event, imbuing it with a sense of the sacred and monumental.

Boutet de Monvel meticulously detailed these scenes, emphasizing Joan's solitary strength against the authoritative assembly. His work aimed to underscore the profound significance of her trial, which ultimately led to her condemnation.

What details do you find most compelling in this intense historical depiction?

Details

This painting is part of a larger series.

See the scribe at the green-covered table?

Transcript

Joan of Arc stands before her judges. This painting is part of a larger series. Her conviction and defiance are clear. See the scribe at the green-covered table? And this judge, looking down, absorbed in thought. The artist used gold leaf for a sacred feel.