A Cat Stealing Fish by Giuseppe Recco

A cat burglar in the dark, painted in Naples around 1660 by Giuseppe Recco. The oil painting is called *A Cat Stealing Fish*, and it belongs to The Metropolitan Museum of Art.

The first thing that catches the light is the fish. Recco laid a bright specular highlight along the red dorsal scales to show wet, iridescent skin, a signature trick that made his still-lifes famous across Baroque Italy. The silver fish at lower right are a second surface texture, cool and glinting, painted beside the warm copper bowl at left.

Then you find the cat. Its dark fur is nearly swallowed by the deep chiaroscuro background, so the animal reads at first as a patch of shadow. The outstretched paw reaching into the wicker basket is the hinge of the whole picture: a frozen gesture that turns a kitchen scene into a quiet crime.

Recco came from a family of still-life painters in Naples. By the 1660s he had become the name collectors wanted for precisely this kind of work, food, vessels, animals, rendered with a theatrical beam of light. The picture rewards anyone willing to look long enough to see what is hiding in the dark.

Details

Giuseppe Recco built his reputation on fish like these.
Giuseppe Recco built his reputation on fish like these.
Wet-looking scales, iridescent in Baroque light.
Wet-looking scales, iridescent in Baroque light.
But the real subject is nearly invisible in the shadow.
But the real subject is nearly invisible in the shadow.
A paw, extended mid-theft, freezes the moment.
A paw, extended mid-theft, freezes the moment.
A warm, rounded counterweight to the dark chaos of the cat and fish; its reflective surface would reveal Recco's ability to paint metallic or ceramic sheen.
A warm, rounded counterweight to the dark chaos of the cat and fish; its reflective surface would reveal Recco's ability to paint metallic or ceramic sheen.
Transcript

You might miss the thief at first glance. Giuseppe Recco built his reputation on fish like these. Wet-looking scales, iridescent in Baroque light. But the real subject is nearly invisible in the shadow. A paw, extended mid-theft, freezes the moment. Recco was the son of a painter. Still-life was the family business.