Putti with a Wine Press by Albertinelli, Mariotto

Mariotto Albertinelli painted *Putti with a Wine Press* in Florence around 1500. It is a joyful, chaotic scene of cherubic figures working a wooden press, a symbol of abundance and the pleasures of the harvest. But the painting’s true story is one of a man deeply conflicted by his own talent.

Look first at the crowned putto drinking wine at the very top. He is the focal point, an image of pure indulgence. Your eye then falls to the figures stomping grapes inside the barrel, and finally to the putto lying on the ground with a jug. The sequence is a gentle, humorous arc from celebration to quiet collapse.

Albertinelli was a friend and collaborator of Fra Bartolomeo, and his style was a bridge between the archaic and the High Renaissance. Yet he was famously troubled by the intellectual demands of the new art. He once declared that perspective and anatomy gave him so much anxiety he could not continue. So he closed his workshop and opened a tavern instead, hoping for a simpler life.

The inn was a disaster. The former painter proved hopeless at business, and within about a year he returned to his brushes. He died in 1515, still a young man, having produced a small but luminous body of work. One wonders if he ever found the peace he was looking for, or if it always remained just outside the frame.

Details

The city was entering its golden age. But this painter was missing it.
The city was entering its golden age. But this painter was missing it.
Below him, the work and the revelry of the harvest unfolds.
Below him, the work and the revelry of the harvest unfolds.
One putto lies on the ground. He has had enough.
One putto lies on the ground. He has had enough.
He said he wanted a simple life, away from the complexities of perspective.
He said he wanted a simple life, away from the complexities of perspective.
The central element of the scene, showing the activity of winemaking and providing a stage for the putti.
The central element of the scene, showing the activity of winemaking and providing a stage for the putti.
Transcript

He painted this in Florence, around 1500. The city was entering its golden age. But this painter was missing it. At the top, a crowned putto drinks deeply. Below him, the work and the revelry of the harvest unfolds. One putto lies on the ground. He has had enough. Mariotto Albertinelli gave up painting to open a tavern. He said he wanted a simple life, away from the complexities of perspective. The tavern failed. After a year, he was back at the easel.