Madame Jacques-Louis-Étienne Reizet (Colette-Désirée-Thérèse Godefroy, 1782–1850) by Anne-Louis Girodet
This striking portrait, "Madame Jacques-Louis-Étienne Reizet" by Anne-Louis Girodet, painted in 1823, captures Colette-Désirée-Thérèse Godefroy, the wife of a French government official, shortly before the artist's death. It's a testament to Girodet's mature style, now housed at the Metropolitan Museum of Art.
Look closely at Madame Reizet's face and her gently averted eyes; Girodet masterfully conveys both composure and a subtle engagement with the viewer. Her chosen velour dress and luxurious fur wrap speak to the fashion and status of the Restoration era, while the soft light on her skin showcases Girodet's skill.
Madame Reizet initially wanted a full-length portrait, but Girodet persuaded her that this half-length format would be more impactful. This painting holds particular significance as one of the very last portraits Girodet completed before his passing in 1824, making it a poignant final expression of his artistic vision. It was exhibited at the prestigious Salon of 1824 in Paris.
What do you notice first in her expression?
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Transcript
This elegant lady was a French official's wife, in 1823. The artist, Girodet, captured her quiet strength in this portrait. Notice her eyes, carefully averted, yet engaging the viewer. She chose this dark velour dress, accentuating her pale skin. The luxurious fur wrap declared her family's wealth and status. Girodet painted this just a year before his own death. It was one of the last portraits he would ever create.