Mary Ellis Bell (Mrs. Isaac Bell) by Vanderlyn, John

Vanderlyn, John · c. 1827

John Vanderlyn's portrait of Mary Ellis Bell (Mrs. Isaac Bell), painted around 1827, is a refined example of early 19th-century American portraiture. Yet, it holds a subtle visual trick that reveals the artist's sophisticated training.

While Mary Ellis Bell gazes directly forward, look closely at the small oval mirror beside her. Within its reflection, you'll discover a profile view of her face, offering a second perspective on the sitter. This clever detail adds depth and intrigue to the composition, showcasing Vanderlyn's skill.

Vanderlyn, an American artist, received academic training in Paris, which influenced his polished technique and attention to classical compositional elements. This portrait, likely a private commission for the prominent Bell family of New York, exemplifies his ability to capture both the likeness and the refined composure of his subjects.

What details do you notice first in this elegant portrait?

Details

A quiet portrait of a prominent New York woman.

Notice her ornate, patterned sleeve cuff.

The artist, John Vanderlyn, trained in Paris.

Now, look carefully at the mirror's reflection.

Transcript

Mary Ellis Bell, painted around 1827. A quiet portrait of a prominent New York woman. Notice her ornate, patterned sleeve cuff. The artist, John Vanderlyn, trained in Paris. Now, look carefully at the mirror's reflection. You see a different angle, a profile of her face. It's a clever way to show two perspectives at once.