Paintings of physicians by Jan Steen by Jan Steen
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The Lovesick Maiden, painted by Jan Steen around 1660, is a comedy hiding in a sickroom. A solemn physician takes the pulse of a listless young woman while the true diagnosis hangs on the wall directly above his head: a small painting of Cupid.
The clue is in the color. Her yellow-green satin skirt was called jonquil, the period shorthand for 'green sickness', what 17th-century medicine named lovesickness. The unmade canopy bed behind her, the loose white headdress she has not bothered to pin up properly, and the maid who already seems to understand the truth all broadcast what the doctor misses.
Steen painted this in Leiden, home to the era's most prestigious medical school. The satire would have landed instantly with an audience who knew how useless a pulse-check was against a broken heart. Like much of his work, it punctures the pretensions of professionals, the doctor's dark coat and furrowed brow perform authority while the real answer is hiding in decor.
Next time you feel unseen, at least your doctor isn't staring at your wrist while a winged toddler with a bow tells the whole story.
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Transcript
A doctor makes a house call, perfectly serious. He checks her pulse with the gravity of a scholar. But the 17th century had a word for girls like her. They called it 'green sickness.' A disease of young women in love. Her color tells you. Her bed tells you. The doctor sees none of it. Jan Steen added the real diagnosis in plain sight.