Twelve Heads by http://www.wikidata.org/.well-known/genid/161ab66b3505c5fd0554422a34c5a854

This is a fragment of one of the most famous and scandalous works of the Northern Renaissance. It's a study for 'The Ghent Altarpiece' by Jan van Eyck, completed around 1432. Today, the altarpiece is considered a pinnacle of European art, but its debut was so shocking that the church tried to hide it.

The man in the study is likely a model for one of the prophets or onlookers in the larger composition. His eyes are closed, and his head is framed by a shallow stone niche that makes him look like a marble bust or a funerary monument. The leafy wreath on his hat was a classical symbol of honor, turned into a meticulous exercise in texture by van Eyck's brush.

The Ghent Altarpiece was instantly controversial because of its revolutionary realism. The central image showed Adam and Eve as unidealized, naked figures, painted with shocking anatomical detail. The church authorities in Ghent were so scandalized that they covered the panels with drapery and restricted viewing for centuries.

This quiet, sculpted head survived that censorship in the artist's studio. It is a witness to the moment European painting learned to see the human body without flinching. Look at the closed eyelid and ask yourself: is he sleeping, or is he refusing to look at the uproar his own image caused?

Details

The closed eyes and stone niche suggest a tomb sculpture.
The closed eyes and stone niche suggest a tomb sculpture.
But this face was never meant to be seen alone.
But this face was never meant to be seen alone.
The central panel showed Adam and Eve. Naked.
The central panel showed Adam and Eve. Naked.
Fine, individual strokes of hair build a tactile surface that reads as both naturalistic and carefully constructed.
Fine, individual strokes of hair build a tactile surface that reads as both naturalistic and carefully constructed.
Transcript

It looks like a quiet study of a sleeping man. The closed eyes and stone niche suggest a tomb sculpture. But this face was never meant to be seen alone. It was part of a massive altarpiece, painted for a church in Ghent. The central panel showed Adam and Eve. Naked. The church was so scandalized, they hid the entire work from view. So this head is a fragment of a censored masterpiece.