Virgin and Child Supported by Angels by http://www.wikidata.org/.well-known/genid/9e4b1486d78efdbb34a315fac1e746be
This fragment of the 'Virgin and Child Supported by Angels' by Joos van Cleve (c. 1515) at the Metropolitan Museum of Art, New York, offers a fascinating glimpse into a painting that was once much grander.
Originally, this devotional work was a full-length composition, but only its upper half has survived. The tender expressions of the Virgin Mary and the Christ Child, along with the adoring gaze of the angels, reveal the emotional depth of the original piece. Notice the rich gilding, particularly on the Virgin's robe, which would have shimmered brightly in its complete form.
While the exact reasons for its reduction are lost to time, such alterations were not uncommon. Paintings could be damaged, or even cut down to fit new spaces or tastes. This surviving portion allows us to appreciate Joos van Cleve's skill in capturing divine beauty and tenderness, even in a fragmented state.
What do you imagine the full painting would have looked like?
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Transcript
This painting feels intimate, almost like a miniature. But it was once much larger, a full-length devotional work. Only the upper half survived, with the Virgin and Child at its heart. The angels' upturned faces show their original position, gazing up. Much of the original gilding on her robe still shines through. This fragment gives us a glimpse of a lost, grander vision.