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"Who Is Sylvia? What Is She, That All the Swains Commend Her?" by Abbey, Edwin Austin

Abbey, Edwin Austin · 1896-1899; reworked 1900

Edwin Austin Abbey's "Who Is Sylvia? What Is She, That All the Swains Commend Her?" (1898) at the Museum of Fine Arts, Boston, holds a delightful secret: the artist's signature is cleverly hidden within the central figure's embroidered purse.

Most viewers are drawn to the central figure, Sylvia, and her dramatic white gown and red sleeves. The men surrounding her, implied to be her 'swains' or admirers, complete the theatrical scene.

Abbey, an American artist, completed this oil on canvas in 1898, reflecting his interest in narrative painting. He was known for his detailed and literary-inspired subjects. The ingenious way he incorporated his signature speaks to his mastery and perhaps a playful side.

Next time you see this painting, you'll know exactly where to look for Abbey's personal touch. Did you spot it?

Details

Admirers, or 'swains', gather around her, as the title states.
Admirers, or 'swains', gather around her, as the title states.
His presence and musical instrument add a narrative element, suggesting a performance or a serenade for the central figure.
His presence and musical instrument add a narrative element, suggesting a performance or a serenade for the central figure.
Transcript

This grand portrait seems to ask: 'Who is Sylvia?' She wears a flowing gown and a delicate cross pendant. Admirers, or 'swains', gather around her, as the title states. But look closely at her exquisitely embroidered purse. It's not just decoration, it's the artist's signature. He wove his name, Edwin Abbey, right into the fabric.