The Betrayal of Christ by Jacob Jordaens

Jacob Jordaens's *The Betrayal of Christ* (1657) is a dramatic oil painting from the Flemish Baroque. While it depicts a pivotal religious moment, Jordaens's patrons were primarily wealthy merchants and local churches, not royalty. The scene captures the tumultuous apprehension of Christ. Look at the agitated faces in the crowd on the left, showing a range of reactions from fear to anger. The ornate soldier's helmet on the right suggests the power of the arresting forces. The man in the red shirt, likely Christ, is centrally positioned. His rough face and the determined grip of the elderly man holding him emphasize the physical struggle of the arrest. Jordaens's work often served these local congregations, unlike his contemporaries who sought royal patronage. This painting is now at The Cleveland Museum of Art.

Details

Look at the agitated faces on the left.
Look at the agitated faces on the left.
The soldier's helmet suggests authority.
The soldier's helmet suggests authority.
This gripping hand shows forceful arrest.
This gripping hand shows forceful arrest.
Transcript

This painting is rarely seen. Jacob Jordaens painted this in 1657. Look at the agitated faces on the left. The soldier's helmet suggests authority. Look at the man in the red shirt. He looks like Christ, but his face is rough. This gripping hand shows forceful arrest. Jordaens painted biblical scenes for local churches.