Glimpse of the Palazzo Doria, Genova

Andrews employed a glazing technique, layering thin washes of watercolor to achieve depth and luminosity. Transparent washes allow the underlying graphite to show through, while opaque strokes add solidity to architectural details. Loose, gestural brushwork conveys the texture of stone and the fleeting quality of light, creating a sense of immediacy in the observation.

Created in 1892, the drawing reflects Andrews’ interest in European travel and architectural subjects during the late nineteenth century. While specific ownership details are scarce, the work has been documented in exhibition catalogues of American women artists of the period and remains a representative example of her watercolor practice.