Un Miracle [A Miracle]
1874
ink
paper
From the collection of National Gallery of Art
1874
ink
paper
From the collection of National Gallery of Art
Dominant colour
Un Miracle [A Miracle] is a 1874 ink by Mosè Bianchi, a Impressionism work, held at National Gallery of Art.
This etching shows a shadowy figure kneeling by a dark pool, hands raised in prayer. The grainy, speckled surface comes from aquatint—a way to print soft tones like watercolor. Lines fade into blurs, like ink running on wet paper. Mosè Bianchi used this method to mimic moonlight. The man’s outline flickers at the edges, like he’s almost dissolving. Try etching on Japanese paper yourself—see how the fibers catch ink differently.
Mosè Bianchi (1840–1904) was an artist, born in Monza.
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