Who painted Black-Tailed Deer?

Black-Tailed Deer was painted by John T. Bowen in 1845.

Where can I see Black-Tailed Deer?

Black-Tailed Deer is held by National Gallery of Art.

What movement is Black-Tailed Deer?

Black-Tailed Deer is associated with Romanticism.

Can I buy a print of Black-Tailed Deer?

Museum-quality prints of Black-Tailed Deer are available made-to-order from Artifact World Gallery.

Artwork

Black-Tailed Deer

John T. Bowen , 1845

Black-Tailed Deer is an ink print by the Romanticist artist John T. Bowen. It dates from 1845 and is held in the collection of the National Gallery of Art. John T.

Inscription: Inscribed:lower left verso in graphite by unknown hand: L- text at top on stone: No. 16. / Plate LXXVIII. text at bottom on stone: Drawn from Nature by J.J. Audubon. FRS. FLS. / Cervus Macrotis, Say. / Black-Tailed Deer. / Female - Summer Pelage. / Lithd. Printed & Cold. by J.T. Bowen. Philada. 1845.
Markings: Marked:stamped lower left verso in red ink: 91377

About this work

Overview

John T. Bowen’s 1845 lithograph titled Black‑Tailed Deer is executed on wove paper and finished with hand‑applied watercolor. The image captures a solitary buck in a forest clearing, its dark tail lifted as if startled. The composition is framed by surrounding trees, creating a sense of depth within the limited space of the print.

Subject & Meaning

The work depicts a male black‑tailed deer, a species native to the western United States, positioned in a sun‑dappled woodland. The raised tail and alert posture suggest a moment of sudden awareness, inviting viewers to contemplate the animal’s interaction with its environment and the fleeting nature of wildlife observation.

Technique & Style

Bowen employed lithography, a planographic process that transfers a drawn image from stone to paper, then enhanced the printed outlines with watercolor washes. Hand‑coloring a lithograph was relatively uncommon in the mid‑19th century because it required additional labor and expense, yet the result retains a vivid, crisp quality even after nearly two centuries.

History & Provenance

Created in 1845, the print reflects the growing American interest in natural history illustration during that period. While specific ownership records are limited, the piece has survived in good condition, indicating careful handling and preservation by collectors who valued its combination of printmaking and hand‑coloring techniques.

Context

In the 1840s, lithography was a popular medium for disseminating scientific and artistic images, yet most prints were left uncolored. Bowen’s decision to add watercolor aligns with a niche tradition of enhancing prints for educational or decorative purposes, situating the work within a transitional moment between purely mechanical reproduction and more labor‑intensive art forms.