St. Procopius; Sts. Aquila and Prisca; St. Anatolia; Sts. Rufina and Secunda
1634
ink
paper
From the collection of National Gallery of Art
1634
ink
paper
From the collection of National Gallery of Art
Dominant colour
St. Procopius; Sts. Aquila and Prisca; St. Anatolia; Sts. Rufina and Secunda is a 1634 ink by Jacques Callot, a Baroque work, held at National Gallery of Art.
This image shows four small, oval scenes etched into paper. Each one depicts a group of people in dramatic, simple poses—some standing, some kneeling, and others interacting with animals or objects. The lines are sharp and dark, with little shading, giving everything a clear, almost sketch-like look. Each scene is framed by text at the top, though the words are hard to read. The artist used a technique that lets ink sit on the surface, creating bold outlines and textures. This style was common for telling stories quickly, often in books or prints. Look up etching to see how this method works.
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.
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