The Conversion of Saint Paul
1628
ink
paper
From the collection of National Gallery of Art
1628
ink
paper
From the collection of National Gallery of Art
The Conversion of Saint Paul is a 1628 ink by Jacques Callot, a Renaissance work, depicting Conversion of Paul the Apostle, held at National Gallery of Art.
This etching shows a chaotic battle scene with horses and riders tangled in the foreground. One man on the ground clutches his head, while others fight or flee. Above them, a bright light streaks down from the sky, and a ghostly figure hovers near the center. The background is packed with swirling clouds, trees, and more struggling figures. The light and the fallen man suggest a sudden, dramatic change—like a vision. This is an old print, made by scratching metal plates instead of painting. Look up etching to see how artists like Callot made prints this way.
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.
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