Who painted Make Love After War?

Make Love After War was painted by Coruzzi in 2013.

Where can I see Make Love After War?

Make Love After War is held by Victoria and Albert Museum.

Artwork

Make Love After War

Coruzzi , 2013

Make Love After War is a print by Coruzzi. It dates from 2013 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

Make Love After War is a 2013 screenprint and mixed-media artwork by Coruzzi, depicting three male figures in a protest scenario, each holding a placard with distinct messages.

Subject & Meaning

The piece features three men in close proximity, holding signs with bold typography. One sign bears the work's title, "Make Love After War", with a yellow circle emphasizing "LOVE", while another sign reads "YO" (possibly a fragment of "Yo No No" as mentioned in some sources). The imagery suggests a thematic focus on activism, peace, and potentially, personal or collective identity.

Technique & Style

The artwork combines screenprinting with mixed-media elements, set against a textured, blue-gray background punctuated by splashes of color. The figures and signs are rendered in a loose, sketchy style, evoking a sense of spontaneity or rapid execution.

History & Provenance

Created in 2013, the work is signed, titled, and numbered by Coruzzi, indicating it as part of a limited edition. Specific provenance details (ownership history, exhibitions) are not provided here.

Context

Understanding the full context of Make Love After War requires reference to Coruzzi's broader body of work, which often explores themes of social commentary, activism, and the human condition. This piece may reflect post-conflict reconciliation themes or anti-war sentiments prevalent in early 2010s discourse.

Legacy

The legacy of Make Love After War is intertwined with Coruzzi's overall impact on contemporary art. As with many of their works, it contributes to a corpus that encourages dialogue on peace, activism, and social change, though its individual prominence within their oeuvre would depend on future scholarly and curatorial assessments.