Artwork

a) Après Douai (After Douai) (recto); b) Figure (verso)

a) Après Douai (After Douai) (recto); b) Figure (verso), by Jean-Louis Forain, ink, 1918
a) Après Douai (After Douai) (recto); b) Figure (verso), by Jean-Louis Forain, ink, 1918

a) Après Douai (After Douai) (recto); b) Figure (verso) is an ink drawing by Jean-Louis Forain. It dates from 1918 and is held in the collection of the National Gallery of Art.

Inscription
Inscribed:"forain" lower right composition, graphite, artist's hand. Not dated. "Après Douai. "Les troupes allemandes ont reçu l'ordre le plus formel d'éparqher la propriété privée." -Solf. / "Sans doute, l'ordre h'était pas encore arrivé...." verso, lower left sheet, graphite, unknown hand. "A2163" verso, lower right sheet, graphite, unknown hand.
Markings
Marked:"LRJ" verso, black stamped ink, (Lugt 1760b). "National Gallery of Art" verso, black stamped ink, (Lugt 1932d).

About this work

Overview

Après Douai (After Douai) and Figure are two sides of a single work on paper by Jean-Louis Forain, created circa 1918. The recto features Après Douai, executed in watercolor, brush and black ink, and black crayon, while the verso presents Figure, rendered solely in black crayon.

Subject & Meaning

The subjects of both drawings are not explicitly defined, suggesting they may serve as quick studies or exploratory sketches rather than finished, narrative-driven pieces. Figure on the verso appears to be a more subdued, possibly abstracted, counterpart to Après Douai.

Technique & Style

Both sides exhibit Forain's engagement with Impressionist techniques, characterized by loose, expressive brushwork on the recto and bold, form-defining linework. The verso's use of black crayon with minimal detail contrasts with the recto's layered media, highlighting Forain's versatility.

History & Provenance

Created around 1918, these works reflect Forain's prolific output across various mediums during a period of established success. Provenance details are not provided, but the pieces align with Forain's known practice of rapid sketching, often in casual settings like cafés.

Context

These sketches embody Forain's Impressionist approach to capturing fleeting impressions. The visible laid paper texture and thin ink application underscore the ephemeral, quick-note nature of the works, consistent with his habit of working rapidly in public venues.

a) Les Allemandes sont partis (recto); b) Sketch of a Man (verso)
a) Les Allemandes sont partis (recto); b) Sketch of a Man (verso), Jean-Louis Forain

Artist & collection

Portrait of Jean-Louis Forain

Artist

Jean-Louis Forain

Jean-Louis Forain (French pronunciation:; 23 October 1852 – 11 July 1931) was a French Impressionist painter and printmaker, working in media including oils, watercolour, pastel, etching and lithograph.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

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Frequently asked questions

Who painted a) Après Douai (After Douai) (recto); b) Figure (verso)?

a) Après Douai (After Douai) (recto); b) Figure (verso) was painted by Jean-Louis Forain in 1918.

Where can I see a) Après Douai (After Douai) (recto); b) Figure (verso)?

a) Après Douai (After Douai) (recto); b) Figure (verso) is held by National Gallery of Art.

Can I buy a print of a) Après Douai (After Douai) (recto); b) Figure (verso)?

Museum-quality prints of a) Après Douai (After Douai) (recto); b) Figure (verso) are available made-to-order from Artifact World Gallery.