Artwork

Imitation the Sincerest Flattery (effect of a long session in the House)

Imitation the Sincerest Flattery (effect of a long session in the House) is a drawing by the Impressionist artist Harry Furniss. It dates from 1890 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

Harry Furniss produced a black‑and‑white drawing in 1890 that was published in Punch, appearing on page 94 of volume XCIX. The work is a single‑sheet illustration rendered entirely with pen, employing rapid, sketchy lines that convey a sense of immediacy.

Subject & Meaning

The scene depicts a crowded interior filled with men in formal attire, all speaking simultaneously. Some figures stand with animated gestures, while others slump in chairs, appearing weary or irritated. The title, "Imitation the Sincerest Flattery (effect of a long session in the House)," signals a satirical comment on the endless debates of parliamentary politicians.

Technique & Style

Furniss relies on cross‑hatching, dense, intersecting strokes, to model shadows and texture across the figures and surroundings. The overall line quality is loose and hurried, emphasizing the chaotic atmosphere of the gathering.

History & Provenance

Created for the satirical weekly Punch, the drawing was part of the magazine’s regular commentary on contemporary politics. Its original publication date of 1890 places it within Furniss’s prolific period as a cartoonist for the periodical.

Se posant en connaisseurs, Honoré Daumier

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Artist & collection

Artist

Harry Furniss

Harry Furniss was a British illustrator. He established his career on the Illustrated London News before moving to Punch. He also illustrated Lewis Carroll's novel Sylvie and Bruno.