The Large Tree
1874
ink
From the collection of National Gallery of Art
1874
ink
From the collection of National Gallery of Art
This etching shows a dark, gnarled tree with thick branches twisting against a plain background. The lines look rough but controlled, like the artist carved them with care. Leibl used three techniques at once: etching, drypoint, and aquatint. That mix gives the tree both soft tones and sharp edges in the same print. Try drypoint next—it’s where an artist scratches lines into a metal plate.