Artwork
Untitled

Untitled is a watercolor print by Lois Lane. It dates from 1979 and is held in the collection of the Museum of Modern Art.
About this work
Overview
Untitled is a mixed-media print created in 1979 by Lois Lane, combining aquatint with watercolor additions. It is part of a portfolio of six aquatints, with this piece being one of three enhanced with watercolor. The work is housed in the collection of The Museum of Modern Art.
Subject & Meaning
The print features a minimalist composition: a white outline of a horse on a black background, with three upright paintbrushes (green, orange, and purple) integrated into the horse's outline. The surreal juxtaposition of the horse and brushes creates a sense of whimsy and oddity.
Technique & Style
Lois Lane employed aquatint for the base print, adding watercolor for the colored elements. The simple, bold forms and the incorporation of everyday objects (paintbrushes) within the animal silhouette reflect a blend of playfulness and minimalist aesthetics.
History & Provenance
Created in 1979, the piece is part of a specific portfolio by Lois Lane, indicating a deliberate exploration of mixed-media techniques within a limited series. It has been acquired by The Museum of Modern Art, highlighting its recognition within the contemporary art canon.
Context
Untitled situates itself within late 20th-century experimental printmaking, where artists often combined traditional techniques with modern materials and concepts. The work's humor and surrealism also align with broader artistic movements of the time that valued conceptual play.
Legacy
While specific influence data is not provided, the piece contributes to the broader legacy of innovative printmaking practices in the late 20th century. Its presence in MoMA's collection ensures its accessibility for study and appreciation, potentially inspiring future artists in mixed-media and conceptual practices.
Artist & collection
Artist
Lois Lane is a fictional character appearing in American comic books published by DC Comics.










