Artwork
Women at a Banquet

Women at a Banquet is an unspecified painting by Nina M. Davies. It dates from 1931 and is held in the collection of the Metropolitan Museum of Art. Created circa 1931 by Egyptologist and illustrator Nina M.
About this work
Subject & Meaning
The figures are shown in profile, participating in a ceremonial meal, a motif commonly associated with elite burial practices in New Kingdom Egypt.
The work depicts women seated at a banquet, rendered in a facsimile style that reproduces an ancient Egyptian tomb scene. The figures are shown in profile, participating in a ceremonial meal, a motif commonly associated with elite burial practices in New Kingdom Egypt. The scene emphasizes social ritual and abundance, with the women’s gestures and attire underscoring their role within the commemorative context of the tomb of Rekhmire (TT 100).
History & Provenance
Women at a Banquet is a painting by Nina M. Davies held in the collection of the Metropolitan Museum of Art (MET). The work is documented as a facsimile of Rekhmire’s tomb (TT 100) banquet scene, created by Nina de Garis Davies. Its provenance traces to the Metropolitan Museum of Art, where it remains on display (MET, 30.4.78).
Women at a Banquet is held in the collection of the Metropolitan Museum of Art. The work is catalogued under the inventory number 30.4.78, identifying it as a facsimile by Nina M. Davies documenting a banquet scene from the Theban tomb of Rekhmire (TT 100). No further exhibition history is documented in the available sources.
The painting is classified within the Metropolitan Museum of Art's holdings as a facsimile recording of an ancient Egyptian tomb painting, produced as part of Nina M. Davies's documentation work in Egypt.
Overview
Created circa 1931 by Egyptologist and illustrator Nina M. Davies, Women at a Banquet is a modestly sized painting that records a domestic scene drawn from Egyptian tomb art. The work forms part of the Davies duo’s extensive visual archive of early‑20th‑century Egyptian wall paintings, intended as a scholarly reference rather than a decorative piece.
Technique & Style
Rendered in a flat, simplified manner, the figures are painted in warm yellow‑brown tones with minimal shading. Straight‑lined wigs and modest jewelry define the attire, while the background is largely plain, punctuated only by faint hieroglyphic‑like symbols that echo the decorative language of ancient tomb walls.
Context
The image reflects the scholarly practice of the period, wherein artists created precise visual records to accompany archaeological reports. By adopting a stylized, almost schematic approach, Davies emphasized the formal qualities of the original tomb scenes rather than striving for painterly realism.
Legacy
Women at a Banquet continues to serve as a reference point for researchers studying Egyptian domestic iconography and the visual conventions employed by early Egyptologists. It illustrates how artistic reproduction contributed to the preservation and interpretation of ancient visual culture.
Artist & collection
Artist
The Egyptologists Nina M. Davies (6 January 1881 – 21 April 1965) and Norman de Garis Davies (1865–5 November 1941) were a married couple of illustrators and copyists who worked in the early and mid-twentieth century…
















