Portrait of John Maurice, Prince of Nassau-Siegen

The portrait of John Maurice, Prince of Nassau-Siegen was painted by Pieter Nason in 1679, executed in oil on canvas. Beyond its creation date and medium, the documented ownership history is limited. According to Wikidata records, the painting was at one point owned by Maurits Cornelis van Hall.

It is now associated with two institutional collections: the Museu Nacional de Belas Artes and the Rijksmuseum. No further details regarding its original commission, intermediate owners, or acquisition circumstances are recorded in the available sources.

The painting titled Portrait of John Maurice, Prince of Nassau‑Siegen, was created in 1679 by Pieter Nason using oil on canvas. It portrays the Dutch commander in body armor with a page and an enslaved figure. According to the documented records, the work belongs to the holdings of the Museu Nacional de Belas Artes in Rio de Janeiro and is also listed in the collection of the Rijksmuseum. No accession or inventory number is provided in the available sources, and no exhibition history is recorded.

The portrait of John Maurice, Prince of Nassau-Siegen, painted by Pieter Nason in 1679, is held in the collections of the Museu Nacional de Belas Artes and the Rijksmuseum, reflecting its enduring scholarly and curatorial interest. Its inclusion in these major institutions underscores its significance within Dutch Golden Age portraiture and contributes to the historical reputation of the sitter and artist. The work’s dimensions (125 cm × 96 cm) and material (oil on canvas) are documented, and its provenance includes ownership by Maurits Cornelis van Hall.

This oil painting by Pieter Nason, created in 1690, captures John Maurice, Prince of Nassau-Siegen. Executed during the Dutch Golden Age, it exemplifies the portrait genre of the period. The work is currently housed in the collection of the Rijksmuseum, offering insight into the prominent figures and artistic practices of 17th-century The Hague.

Pieter Nason, the painter of this work, was a notable figure in The Hague's artistic community during the Dutch Golden Age. His professional standing is evidenced by his membership in the local Guild of Painters. Furthermore, Nason played a role in the founding of the Pictura Society in 1656, an important initiative that supported artists and promoted art in the city.