King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night

King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night

Unknown

1560

unspecified

From the collection of Cleveland Museum of Art

About this work

You see a king on a tall throne, pointing as soldiers tie his wife to a camel. The camel kneels in the center, surrounded by men in turbans and rich robes. One man pleads with the king, hands pressed together. The painting comes from a book of stories told by a parrot to delay a wife’s betrayal. This scene shows a false accusation—revenge for a rejected advance. The bright colors and tiny details are typical of art made for Emperor Akbar’s court. To see more like this, look up court of Akbar (reigned 1556–1605).

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