Untitled

About this work

You see ten bright, flat squares of color and shape—each one different—stacked in a slim white box. This was a 1964 experiment: ten painters, all working at the same time, each made one screenprint. No rules, no theme. The result feels like a snapshot of American art right before it exploded into Pop and Minimalism. Look up the next print in the set by Roy Lichtenstein.

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