Provenance · Acquisition fund
Harold T. Clark Educational Extension
This catalog gathers 20 public-domain works acquired through the Harold T. Clark Educational Extension fund. Every work is held by Cleveland Museum of Art.
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Lorenzaccio -
Ilsee, Princesse de Tripoli -
Tête de Jeune Fille -
Bookstore Ed. Sagot -
Viviane -
Views of Venice and Environs: A City Beyond a River -
Ice Skating Rink -
Trilogy of Months, state II -
Andalusia at the Time of the Moors -
Andalusia at the Time of the Moors (left side) -
Christ and the Apostles: St. Judas Thaddeus (with the Club) -
Studies of Children (Two Little Girls); Two Dogs; A Man -
Christ and the Apostles: St. Thomas (with the Square) -
Trilogy of Months -
La Halte des Bohémiens -
Exposition 1900 -
The Garden Bench -
Andalusia at the Time of the Moors (right side) -
The Circle of the Traitors: Dante's Foot Strriking Bocca degli Abbate, from Dante's Inferno, Canto XXXII Illustration to Dante's The Divine Comedy -
Design 705
On provenance & the public domain
A credit line — the small "Acquisition fund of…" note beside a work on a museum wall — records its provenance: how the object passed from a private hand into a public collection, whether as an outright gift, a bequest left in a will, the purchase from a named endowment, or an entire collection acquired at once. Because these works are in the public domain, anyone can study, share, and reproduce them freely. Browsing by provenance follows the human story behind a museum's holdings — the collectors and benefactors whose generosity put these works where the public can see them.
Every work in this catalog is in the public domain; images come from the museums that hold them.