Gallery VII houses several of Rubens's most significant canvases. Among the most prominent is The Rape of the Daughters of Leucippus, circa 1618, a dramatic depiction of the mythical abduction of Phoebe and Hilaera by Castor and Pollux, structured along two intersecting diagonal axes. Other major works in the room include The Great Last Judgement, painted between 1614 and 1617, which measures over six meters tall, as well as the Battle of the Amazons and the Hippopotamus and Crocodile Hunt, dated between 1615 and 1616. The gallery also features the Small Last Judgement from the early seventeenth century, Two Satyrs from 1618 to 1619, Cupid Making His Bow from 1614, and The Landing in Marseilles, a sketch for the Medici Cycle executed between 1622 and 1625. Portraiture within the space includes the Portrait of Hélène Fourment in Her Wedding Dress from circa 1630 to 1631, Helena Fourment with her Son Francis from 1634 to 1635, and the Portrait of Lady Arundel with her Train from 1620.