Marinescu T.

Marinescu kept painting saints like they were next-door neighbors, one gruesome detail at a time. The head-on-a-platter version of Saint John the Baptist wears a camel-hair belt, a green cloak, and his own glowing halo, blessing the viewer while his severed head glows on the same platter. Look closely: the gold lettering doubles as a neon sign, the red border reads like a studio stamp, and the whole thing hangs crooked on purpose.

If you spot a double-framed icon with a tiny metal chain, that’s your door, tap “Icoana îl redă pe Sfântul Ioan Botezătorul 3/4, 1887” and step in.