Who painted Bildnis eines Mannes?

Bildnis eines Mannes was painted by Bartholomeaus Sarburgh in 1620.

Where can I see Bildnis eines Mannes?

Bildnis eines Mannes is held by Bavarian State Painting Collections.

What movement is Bildnis eines Mannes?

Bildnis eines Mannes is associated with Dutch Golden Age.

Artwork

Bildnis eines Mannes

Bartholomeaus Sarburgh , 1620

Bildnis eines Mannes is an unspecified painting by the Dutch Golden Age artist Bartholomeaus Sarburgh. It dates from 1620 and is held in the collection of the Bavarian State Painting Collections.

About this work

Subject & Meaning

The portrait depicts an unidentified man presented in three-quarter view against a neutral background, a conventional format for elite male portraiture in early seventeenth-century Central Europe. The sitter’s sober attire, dark clothing with a white collar, conveys status and restraint rather than overt display, aligning with contemporary ideals of dignified representation. As a single-figure portrait by Bartholomeus Sarburgh from 1620, the work exemplifies the period’s emphasis on individual likeness and social identity within a restrained visual language.

History & Provenance

The provided sources do not contain specific inventory or accession numbers for this work, nor do they record any exhibition history.

The portrait is dated 1620 by the artist Bartholomeus Sarburgh, as recorded in the corpus entry for the work.

The painting entered the Bavarian State Painting Collections and is today housed in the Alte Pinakothek, Munich. Its dimensions are 109.2 cm in height by 79.6 cm in width.

The portrait Bildnis eines Mannes by Bartholomeaus Sarburgh is held within the Bavarian State Painting Collections. Specifically, the work resides in the Alte Pinakothek in Munich. Created in 1620, the painting measures 109.2 cm in height and 79.6 cm in width.

The provided sources do not contain specific inventory or accession numbers for this work, nor do they record any exhibition history.

Overview

Bartholomeaus Sarburgh’s portrait, dated 1620, presents an elderly gentleman rendered in oil on canvas. The work is part of the collection of the Alte Pinakothek in Munich, where it is displayed among other early‑seventeenth‑century German paintings.

Technique & Style

Sarburgh employs a pronounced chiaroscuro, contrasting illuminated facial planes and the sheen of the gold chain with deep shadows in the robe’s folds. The handling of fur and fabric conveys texture through subtle gradations of light, while the crisp rendering of the jewelry highlights material weight.