Plan of the Spelunche Regee
1619
ink
paper
From the collection of National Gallery of Art
1619
ink
paper
From the collection of National Gallery of Art
Dominant colour
Plan of the Spelunche Regee is a 1619 ink by Jacques Callot, a Baroque work, held at National Gallery of Art.
This drawing shows a strange mix of buildings with odd shapes—some look like domes, others like upside-down boats. There’s a grid of small rooms labeled with letters, and a big central space marked "C. sala." The lines are simple but precise, with some areas shaded lightly. The tiny labels hint at a hidden meaning: "A. Rota" (wheel), "B. Ingressu" (entrance), and "E. sepolchro" (tomb). It’s like a secret map of something underground. Want to know more? Check out etching to see how artists like Callot made these sharp lines.
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.
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