Plan of the Church of the Holy Sepulchre
1619
ink
paper
From the collection of National Gallery of Art
1619
ink
paper
From the collection of National Gallery of Art
Dominant colour
Plan of the Church of the Holy Sepulchre is a 1619 ink by Jacques Callot, a Baroque work, held at National Gallery of Art.
This etching depicts a floor plan of the Church of the Holy Sepulchre, showcasing its architectural layout. The plan features a central section with a square shape, surrounded by a circular area with a series of arches and columns. The design is rendered in fine lines and details, providing a sense of depth and texture. The etching is characterized by its intricate lines and shading, which create a sense of volume and space. The artist's use of light and shadow adds depth to the image, drawing the viewer's eye to the central section of the plan. The Church of the Holy Sepulchre's floor plan is a testament to the artist's skill in capturing the essence of a building's design. To learn more about the artist's techniques, explore the world of etching.
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.
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