Who painted Madame de Maintenon Returning to the Catholic Church [1]?

Madame de Maintenon Returning to the Catholic Church [1] was painted by Charles Dominique Joseph Eisen in 1704.

Where can I see Madame de Maintenon Returning to the Catholic Church [1]?

Madame de Maintenon Returning to the Catholic Church [1] is held by Cleveland Museum of Art.

What movement is Madame de Maintenon Returning to the Catholic Church [1]?

Madame de Maintenon Returning to the Catholic Church [1] is associated with Baroque.

Can I buy a print of Madame de Maintenon Returning to the Catholic Church [1]?

Museum-quality prints of Madame de Maintenon Returning to the Catholic Church [1] are available made-to-order from Artifact World Gallery.

Artwork

Madame de Maintenon Returning to the Catholic Church [1]

Charles Dominique Joseph Eisen , 1704

Madame de Maintenon Returning to the Catholic Church [1] is a drawing by the Baroque artist Charles Dominique Joseph Eisen. It dates from 1704 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 2010.292
Credit line: Bequest of Muriel Butkin

About this work

Overview

Charles Dominique Joseph Eisen’s drawing, dated around 1704, portrays a woman in an elaborate gown standing before an ornate chair while holding a cross and gazing upward toward an unseen figure. The composition is set against a dark backdrop illuminated by a focused beam of light, creating a dramatic contrast characteristic of the period.

Subject & Meaning

The central figure is identified as Madame de Maintenon, depicted in the act of returning to the Catholic faith. Her upward gaze and the cross she bears suggest a moment of spiritual renewal, while the surrounding, less distinct figures hint at a broader narrative context.

Technique & Style

Executed in a Baroque idiom, the drawing employs strong chiaroscuro to emphasize volume and movement. The intricate folds of the dress and the richly carved chair are rendered with careful line work, highlighting the artist’s attention to decorative detail and three‑dimensional effect.

History & Provenance

Created in the early eighteenth century, the work entered the collection of the Cleveland Museum of Art, where it is presently conserved. Its attribution to Eisen aligns with his known output of religious and courtly subjects during the reign of Louis XIV.

Context

Eisen, a French draughtsman active in the late Baroque period, often illustrated courtly and ecclesiastical themes. This drawing reflects contemporary interest in the personal piety of prominent figures, situating Madame de Maintenon’s conversion within the broader religious climate of early‑1700s France.