Who painted A Stone Cartouche with a Garland of Flowers?

A Stone Cartouche with a Garland of Flowers was painted by Daniel Seghers in 1655.

Where can I see A Stone Cartouche with a Garland of Flowers?

A Stone Cartouche with a Garland of Flowers is held by Statens Museum for Kunst.

What movement is A Stone Cartouche with a Garland of Flowers?

A Stone Cartouche with a Garland of Flowers is associated with Flemish Baroque painting.

Artwork

A Stone Cartouche with a Garland of Flowers

Daniel Seghers , 1655

A Stone Cartouche with a Garland of Flowers is an oil painting by the Flemish Baroque painting artist Daniel Seghers. It dates from 1655 and is held in the collection of the Statens Museum for Kunst.

About this work

Technique & Style

The medium consists of oil pigments applied to a woven canvas, allowing for smooth blending and fine detail in the rendered garland of flowers.

The work is executed in oil paint on a canvas support, a technique typical of Daniël Seghers’ floral still‑lifes. The medium consists of oil pigments applied to a woven canvas, allowing for smooth blending and fine detail in the rendered garland of flowers. Classified as a floral painting, the composition centers on a stone cartouche encircled by an abundant garland, showcasing the artist’s precise handling of botanical forms.

Measuring 98 cm in height and 70 cm in width, the piece presents a balanced, decorative arrangement characteristic of Baroque flower garlands.

History & Provenance

A Stone Cartouche with a Garland of Flowers was painted by the Flemish artist Daniel Seghers in 1655, as indicated by the work’s inception date. Executed in oil paint on canvas, the floral garland composition exemplifies Seghers’ specialty in devotional still lifes. The painting entered the collection of the Statens Museum for Kunst in Copenhagen, where it is presently housed and displayed. No earlier ownership or commission details are recorded in the available sources.

Overview

Created in 1655 by the Flemish Jesuit brother Daniel Seghers, this oil painting presents a decorative stone cartouche surrounded by a lush garland of flowers. The work belongs to Seghers’ extensive output of floral still lifes and is presently housed in the Statens Museum for Kunst.

Subject & Meaning

The composition centers on a circular arrangement of vividly colored roses, lilies, pansies and other blossoms, which encircle a stone frame adorned with stylized leaves and thorns. The dark background isolates the bouquet, emphasizing the transitory beauty of the flowers within a symbolic cartouche that suggests a framed tribute or emblem.

Context

Seghers, a member of the Jesuit order, specialized in combining devotional motifs with elaborate floral arrangements, a practice common in Counter‑Reformation art. His garland paintings often served as decorative frames for religious or allegorical images, linking natural beauty with spiritual themes.