Artwork

Le retour du permissionnaire. -Tu Tombes a pie!

Le retour du permissionnaire.  -Tu Tombes a pie!, by Jean-Louis Forain, ink, 1916
Le retour du permissionnaire.  -Tu Tombes a pie!, by Jean-Louis Forain, ink, 1916

Le retour du permissionnaire. -Tu Tombes a pie! is an ink drawing by Jean-Louis Forain. It dates from 1916 and is held in the collection of the National Gallery of Art. Created circa 1916, Le retour du permissionnaire – Tu Tombes à pie!

Inscription
Inscribed:"forain" lower right margin, graphite, artist's hand. Not dated. "la retour di permissionnaire" upper left margin, graphite, artist's hand. "-Tu Tombes à pie!" lower left margin, graphite, artist's hand. "A2372" lower right margin, graphite, unknown hand. Verso: none.
Markings
Marked:"LRJ" verso, black stamped ink, (Lugt 1760b). "National Gallery of Art" verso, black stamped ink, (Lugt 1932d).

About this work

Overview

Created circa 1916, Le retour du permissionnaire – Tu Tombes à pie! is a drawing on wove paper by French artist Jean‑Louis Forain. Executed with black and orange crayon, brushwork, and black ink, the work measures a modest size typical of preparatory sketches. It records a fleeting moment involving two uniformed soldiers during the latter stages of the First World War.

Subject & Meaning

The composition presents a pair of soldiers in heavy greatcoats and helmets. One figure is captured mid‑step, rifle raised as if poised to move quickly, while the other stands still, clutching a bag and glancing backward. The title suggests a soldier’s return from leave, contrasting the tension of departure with the hesitation of returning to the front.

Technique & Style

Forain employs rapid, sketch‑like lines to delineate forms, allowing the drawing to retain a sense of immediacy. Sparse orange crayon strokes introduce a subtle warmth against the dominant black ink, while cross‑hatching builds atmospheric shadow. The brush adds fluid tonal variation, reflecting the artist’s background in Impressionist drawing and his preference for economical, expressive marks.

Context

The image emerges from the social upheaval of World War I, a period when French artists frequently documented the human dimensions of the conflict. Forain, known for his work in oils, watercolors, pastels, etchings, and lithographs, turned to drawing to capture the everyday reality of soldiers on leave, offering a personal glimpse into the war’s civilian‑military interface.

History & Provenance

The drawing remains catalogued within Forain’s oeuvre as an early 20th‑century work on paper. Its ownership history is not extensively recorded, but it is listed in recent scholarly inventories of the artist’s wartime output, indicating its preservation within institutional or private collections focused on French Impressionist and wartime art.

Au Pireê.  -Le depart des boches.
Au Pireê. -Le depart des boches., Jean-Louis Forain

Artist & collection

Portrait of Jean-Louis Forain

Artist

Jean-Louis Forain

Jean-Louis Forain (French pronunciation:; 23 October 1852 – 11 July 1931) was a French Impressionist painter and printmaker, working in media including oils, watercolour, pastel, etching and lithograph.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

Reviews

Frequently asked questions

Who painted Le retour du permissionnaire. -Tu Tombes a pie!?

Le retour du permissionnaire. -Tu Tombes a pie! was painted by Jean-Louis Forain in 1916.

Where can I see Le retour du permissionnaire. -Tu Tombes a pie!?

Le retour du permissionnaire. -Tu Tombes a pie! is held by National Gallery of Art.

Can I buy a print of Le retour du permissionnaire. -Tu Tombes a pie!?

Museum-quality prints of Le retour du permissionnaire. -Tu Tombes a pie! are available made-to-order from Artifact World Gallery.