Who painted Vase Design for 'Suite of Vases': Plate 27?

Vase Design for 'Suite of Vases': Plate 27 was painted by Jacques François Saly in 1746.

Where can I see Vase Design for 'Suite of Vases': Plate 27?

Vase Design for 'Suite of Vases': Plate 27 is held by Cleveland Museum of Art.

What movement is Vase Design for 'Suite of Vases': Plate 27?

Vase Design for 'Suite of Vases': Plate 27 is associated with Baroque.

Can I buy a print of Vase Design for 'Suite of Vases': Plate 27?

Museum-quality prints of Vase Design for 'Suite of Vases': Plate 27 are available made-to-order from Artifact World Gallery.

Artwork

Vase Design for 'Suite of Vases': Plate 27

Jacques François Saly , 1746

Vase Design for 'Suite of Vases': Plate 27 is a drawing by the Baroque artist Jacques François Saly. It dates from 1746 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 2016.58
Credit line: Jo Hershey Selden Fund

About this work

The shapes are bold and symmetrical, like a pattern you could carve into metal.

This drawing shows a fancy vase with swirling leaves and flowers. The lines are crisp and black against a plain white background. It looks like a blueprint for making real pottery.

Saly worked in Paris but drew this in 1746. It was part of a set meant to teach craftsmen fancy designs. The shapes are bold and symmetrical, like a pattern you could carve into metal.

If you like this style, check out Jean Bérain’s engravings for a similar look.

Overview

Vase Design for 'Suite of Vases': Plate 27 is a drawing created by Jacques François Saly in 1746. It is a design for a decorative vase, showcasing Saly's skill as a sculptor and his ability to craft intricate designs.

Subject & Meaning

The drawing depicts a vase adorned with swirling leaves and flowers, suggesting its intended use as an ornamental piece. The design is characterized by bold, symmetrical shapes, indicating a potential influence on or application in various crafts, including metalwork or pottery.

Technique & Style

The vase design is rendered in crisp, black lines against a plain white background, giving it a blueprint-like quality. This style is reminiscent of other designers of the period, such as Jean Bérain, known for his engravings that share a similar aesthetic.

History & Provenance

Created in 1746 while Saly was working in Paris, this drawing was part of a suite of designs intended to instruct craftsmen in creating elaborate pieces. The work is now held in The Cleveland Museum of Art's collection.