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Farm carts, Near Wisbech, by Barbara Jones, watercolor, 1942

Farm carts, Near Wisbech

Barbara Jones

1942

watercolor

From the collection of Victoria and Albert Museum

Dominant colour

Overview

Farm carts, Near Wisbech is a 1942 watercolor by Barbara Jones, a Social Realism work, held at Victoria and Albert Museum.

Who painted this?
Barbara Jones
When & what style?
1942 · Social Realism
Where can I see it?
Victoria and Albert Museum

About this work

This watercolor shows a red farm wagon loaded with hay bales. The wheels are big and wooden, the wagon’s sides painted with simple patterns. Two birds stand near the wagon’s front, pecking at the ground. In the background, there’s a small building with a sloped roof and a taller, older-looking stone structure behind it. The artist used loose, quick brushstrokes to suggest light and shadow, especially on the wagon and hay. The colors are soft and muted, with the red wagon standing out against the pale background. Check out the Victoria and Albert Museum to see more works like this.

The story of this work

Overview

This watercolour by Barbara Jones, dated 1942, depicts two brightly painted, carved, and decorated farm carts laden with hay. Part of the *Recording Britain* collection, the work was created under a wartime scheme to document aspects of British life and landscape perceived as vulnerable to change or loss. The scheme, funded by the Pilgrim Trust and overseen by Sir Kenneth Clark, employed artists to record scenes such as rural industries and traditional crafts across England, Wales, and Scotland between 1940 and 1943. Over 1,500 works were produced by 97 artists as part of the initiative.

Read the full account in the museum source.

About the artist

Portrait of Barbara Jones
Artist

Barbara Jones

Barbara Mildred Jones (25 December 1912 – 28 August 1978) was an English artist, writer and mural painter. She is known for curating the exhibition Black Eyes and Lemonade (1951) and her book The Unsophisticated Arts (1951).

See the richer artist page

More by Barbara Jones

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