Little Pond (La petite mare)
1874
ink
From the collection of National Gallery of Art
1874
ink
From the collection of National Gallery of Art
This sketch shows a quiet, tangled landscape with three bare trees standing in the center. The ground is full of wavy lines that look like water or grass, and the edges fade into a soft, light background. The trees have simple, almost sketchy branches, but the details in the foreground make it feel alive. The artist used fine lines to create texture, almost like scratching into the paper. This was a common way to make prints back then—it’s called drypoint. Look up *etching* to see how artists like this made detailed prints with acid and needles.
