Artwork
Appraisement

Appraisement is an oil painting by the American Impressionist artist Louis Moeller. It dates from 1894 and is held in the collection of the Metropolitan Museum of Art.
About this work
Subject & Meaning
Appraisement is an 1888 oil painting on panel by Louis Moeller, housed in the Metropolitan Museum of Art.
Appraisement is an 1888 oil painting on panel by Louis Moeller, housed in the Metropolitan Museum of Art. The work is classified as a painting and portrays a man inside an interior space. No additional iconographic details or symbolic interpretations are recorded, leaving the subject's meaning unspecified beyond the depiction of a solitary figure in a domestic setting. Its dimensions measure 37.2 cm in height and 45.7 cm in width.
Technique & Style
Painted in 1888, Appraisement is an oil painting executed on panel, measuring 37.2 by 45.7 cm. The work depicts a man within an interior setting, a subject typical of Louis Moeller's genre scenes. The use of oil on panel suggests a smooth, rigid support that allows for precise detail and controlled brushwork, characteristics often associated with academic and realistic painting practices of the late nineteenth century.
History & Provenance
Created in 1888, Appraisement is an oil painting on panel by Louis Moeller. The work depicts a man within an interior setting and measures 37.2 cm in height and 45.7 cm in width. It is currently held in the collection of the Metropolitan Museum of Art.
No specific details regarding the original commission, the identity of the first owner, or the subsequent chain of ownership prior to the museum's acquisition are provided in the available sources.
Overview
Louis Moeller's oil painting, Appraisement, completed in 1894, captures an intimate interior scene. The work, now part of The Metropolitan Museum of Art's collection, portrays three men engrossed in a discussion within a well-appointed room. Moeller's composition invites viewers into a moment of focused interaction, characteristic of the artist's genre scenes.
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