Artwork
Louis XIII
Louis XIII is an ink print by the Baroque artist Jean Morin. It dates from 1625 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:around circumference in plate in border: LOVIS.XIII.PAR.LA.GRACE.DE.DIEV.TRES.CHRESTIEN.ROY.DE.FRANCE.ET.DE.NAVARRE.&.; lower left in plate: Ph Champaigne pinx; lower right in plate: I Morin scul cum pri u Regis; cCv//indecipherable inscription in graphite; lCv//in graphite: RD64
About this work
Overview
Jean Morin’s 1625 print presents a likeness of King Louis XIII rendered on laid paper. Executed through a blend of etching, engraving, and stipple work, the image combines fine line work with tonal shading to convey the monarch’s attire and bearing. The piece exemplifies early‑seventeenth‑century French portraiture in a medium that bridges drawing and painting.
Subject & Meaning
The portrait captures Louis XIII in formal dress, his expression solemn and composed, reflecting the regal authority expected of a sovereign. The detailed rendering of clothing, lace, and jewelry not only identifies the sitter but also serves as a visual record of courtly fashion and the symbolic trappings of power during his reign.
Technique & Style
Morin employed a hybrid approach, first incising the design by etching, then deepening outlines with engraving, and finally applying stippling, tiny dots, to build subtle gradations of light and shadow. This combination allowed for precise detailing of fabrics and a nuanced tonal range, a method that later printmakers adopted for its versatility and realism.
History & Provenance
Created in 1625, the print was produced by Morin, a French Baroque artist known for his work as a printmaker and publisher. While specific ownership records are scarce, the work circulated among collectors of royal imagery and contributed to Morin’s reputation for technical innovation in the early modern print market.
Context
The early 1600s saw heightened interest in state portraiture across Europe, with monarchs commissioning images to affirm their legitimacy. Morin’s portrait aligns with this trend, offering a visual assertion of Louis XIII’s presence and authority. The use of multiple print techniques mirrors broader Baroque experimentation with texture and depth in visual representation.
Own this work as a print
Artist & collection
Artist
Jean Morin (c.1595 or 1605 – 1650) was a French baroque painter, printmaker, painter, etcher, engraver and publisher.
