Untitled

Untitled

Rudy Pozzatti

1952

ink

From the collection of Museum of Modern Art

About this work

This sketch shows a cluster of buildings drawn in sharp, overlapping lines. The biggest structure is a church with a tall dome, arched windows, and a clock face. Smaller houses and towers crowd around it, all outlined with quick, precise strokes. The whole scene looks like it’s being viewed from above, with some parts cut off by the edges. The artist used fine lines to build up shadows and texture, especially on the church’s walls and roofs. This method makes the buildings look solid even though they’re just ink on paper. Try looking up cross-hatching to see how artists use lines to create depth.

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